Cade Martin creates cinematic toy world for Star Wars and Target
November 9, 2016
Deutsch LA. Star Wars. Target.
Any one of these names would be an attractive project. Put them together, throw in a little Disney magic, a sprinkle of Lucas Films and I’m not sure the whole thing wasn’t a dream.
I couldn’t have been more excited to get the brief from Deutsch for a project to photograph the latest “Star Wars” toys for Target – toys which would be released for the upcoming holiday season. Wow. Amazing. Yes, yes, yes.
Throughout my career I’ve always been defined – you’re a reportage photographer, a corporate photographer, a dance photographer. It’s natural to try to fit people, and their work, into a neat little space. But I honestly feel that all of my work has been a continuation of itself regardless of genre. So though I’m not a “toy photographer,” I was beyond excited to be considered for this project.
From the first call, it was clear that the agency saw past any proverbial boxes. They saw what I’ve just recently started to realize – that the movies and comics of my youth have been some of my greatest and most important influences in my life and my picture-making. These were key ingredients in who they were looking for — a photographer that loved cinema and also harbored an inner-nerd.
As timing would have it, I was on a Griswald-esque family vacation when this opportunity presented itself. While driving up, down and around the West Coast I pulled my two boys into the pre-production mix. I asked them: “What are you seeing here?” and “What would you like to see happen?” One of the first things out of their mouths was, “Do we have to follow the rules?” Their perspective also allowed me to start seeing things from a fresh point of view and channel the excitement of kids – the very kids who would take those toys and create their own rebel worlds.
The agency was just as excited as I was to envision the scenes that these toys would inhabit. I immediately imagined the toys as characters in a stop-motion film – pulling inspiration from the original “King Kong”, Ray Harryhausen, “Jason and the Argonauts”, to the genius of the recent film “Anomalisa”, and the amazing stop-motion work from Laika. The agency was totally on board with a cinematic approach, with everything captured in-camera.
Fast (and I mean fast) forward a few weeks and I’m in L.A. for a three day studio shoot. While it always takes a village to pull something like this off, I am indebted to Deutsch for entrusting me to create these worlds, the retouchers at Sugar Digital, and to Amy Whitehouse, the producer that also led me to a kindred spirit set designer, Todd Davis, who was just as excited as I was to create these authentic small worlds.